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MADSEN Audiometers

MADSEN Astera2 Tinnitus Quick Guide Rev 02

Quick Guide

5 Pages

Tinnitus Quick Guide MADSEN Astera² offers a new module for tinnitus assessment. This new module is available free of charge in OTOsuite versions 4.65 and higher. Its objective is to assist clinicians in evaluating tinnitus, not only in terms of psychoacoustical components, but also in assessing its impact on the client’s daily life. The components The goal  A tinnitus assessment will help you choose the most effective tinnitus management plan and discuss it with your client. Additionally, you can show your clients their tinnitus by visualizing it on an audiogram. This will help make the tinnitus real rather than something invisible or imagined.  The stimulus  The pitch and the loudness of tinnitus are typically matched during testing by using a group of external tones and/or noises. In the MADSEN Astera² Tinnitus Module this selection includes FRESH (FREquency Specific Hearing assessment) noise which is a narrowband noise signal that has been designed with extremely steep filter slopes.  The pitch  Tinnitus is generally matched to tones in the 3000-4000 Hz range. In many, but not all, cases this range is correlated with hearing loss.  The loudness  Typically, tinnitus will be measured closer to the intensity of a whisper than to a shout, between 4 and 7 dB above the threshold of hearing. This finding presents somewhat of a puzzle, because often clients describe their tinnitus as being perceptually "very loud," when in fact the measurable loudness is in the very low range of 4 to 7 dB.  The measurement methods  If you wish to match both pitch and loudness, the “two-alternative forced choice” (2AFC) procedure is recommended as the most reliable (Vernon and Fenwick, 1984). Additionally, you can perform the Octave Confusion Test (OCT) after pitch matching in order to determine whether the client is identifying at one octave above or below the pitch match. You can perform the OCT by presenting the tone at the pitch match, followed by a tone one octave higher, and then asking the client to select the best match. A dedicated button next the test frequency selector makes it quick and easy to change the octave.  1
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